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Hall of Writers & Poets
Li Bai
Quiet Night Thought
- 701 – 762 CE
- Writers & Poets · 4 of 12
Hall of Writers & Poets
Quiet Night Thought
Fetching the article from Wikipedia…
Li Bai (c. 701 – 762), also known by his courtesy name of Taibai, was a Chinese poet acclaimed as one of the best and most important poets of the Tang dynasty, and even in the whole of Chinese poetry. He and his friends such as Du Fu (712–770) were among the prominent figures in the flourishing of Chinese poetry of the Tang dynasty, often called the "Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy.
Around 1,000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty collection, Heyue yingling ji, compiled in 753 by Yin Fan. Thirty-four of Li Bai's poems are included in the anthology Three Hundred Tang Poems, which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. In Ezra Pound's famous work Cathay (1915), Li Bai's poems enjoy the lion's share (11 out of 19).
Li Bai's poems became models for celebrating the pleasures of friendship, the depth of nature, solitude, and the joys of drinking. Among the most famous are "Waking from Drunkenness on a Spring Day" (春日醉起言志), "The Hard Road to Shu" (蜀道難), "Bring in the Wine" (將進酒), and "Quiet Night Thought", which are still taught in schools in China. In the West, multilingual translations of Li's poems continue to be made. His life has even taken on a legendary aspect, including tales of drunkenness and chivalry, and the well-known tale that Li drowned when he reached from his boat to grasp the moon's reflection in the river while he was drunk.
Much of Li's life is reflected in his poems, which are about places he visited; friends whom he saw off on journeys to distant locations, perhaps never to meet again; his own dream-like imaginings, embroidered with shamanic overtones; current events of which he had news; descriptions of nature, perceived as if in a timeless moment; and more. However, of particular importance are the changes in China during his lifetime. His early poems were written in a "golden age" of internal peace and prosperity, under an emperor who actively promoted and participated in the arts. This ended with the beginning of the rebellion of general An Lushan, which eventually left most of Northern China devastated by war and famine. Li's poems during this period take on new tones and qualities. Unlike his younger friend Du Fu, Li did not live to see the end of the chaos. Li Bai is depicted in the Wu Shuang Pu (无双谱; 無雙譜; 'Table of Peerless Heroes') by Jin Guliang.
Li Bai's name has been romanized as Li Bai, Li Po, Li Bo (romanizations of Standard Chinese pronunciations), and Ri Haku (a romanization of the Japanese pronunciation). The varying Chinese romanizations are due to the facts that his given name (白) has two pronunciations in Standard Chinese, the literary reading bó (Wade–Giles: po2) and the colloquial reading bái, and that earlier authors used Wade–Giles while modern authors prefer pinyin. The reconstructed version of how he and others during the Tang dynasty would have pronounced this is Bhæk. His courtesy name was Taibai (太白), literally "Great White", as the planet Venus was called at the time; according to his biography in the New Book of Tang, this was because Li's mother had dreamt of Venus while giving birth to him. Li's courtesy name has been romanized variously as Li Taibo, Li Taibai, Li Tai-po, among others. The Japanese pronunciation of his name and courtesy name may be romanized as "Ri Haku" and "Ri Taihaku" respectively.
He is also known by his art name Qīnglián Jūshì, meaning "Householder of Azure Lotus", or by the nicknames Immortal of Poetry (詩仙; 诗仙; Shīxiān), Wine Immortal (酒仙; Jiǔxiān), Banished Transcendent (謫仙人; 谪仙人; Zhéxiānrén), and Poet-Knight-Errant (詩俠; 诗侠; Shīxiá).
The two "Books of Tang", The Old Book of Tang and The New Book of Tang, remain the primary sources of bibliographical material on Li Bai. Other sources include internal evidence from poems by or about Li Bai, and certain other sources, such as the preface to his collected poems by his relative and literary executor, Li Yangbin.
Li Bai is generally considered to have been born in 701, but the question of Li Bai’s birthplace has been debated for a long time. While some believe that he was born in Mianyang, Sichuan, others believe he was actually born in Suyab of ancient Chinese Central Asia (present-day Kyrgyzstan), where his family had prospered in business at the frontier. Afterwards, the family under the leadership of his father, Li Ke (李客), moved to Jiangyou, near modern Chengdu, in Sichuan, when the youngster was about five years old. There is some mystery or uncertainty about the circumstances of the family's relocations, due to a lack of legal authorization which would have generally been required to move out of the border regions, especially if one's family had been assigned or exiled there.
Two accounts given by contemporaries Li Yangbing (a family relative) and Fan Chuanzheng state that Li's family was originally from what is now southwestern Jingning County, Gansu. Li's ancestry is traditionally traced back to Li Gao, the noble founder of the state of Western Liang. This provides some support for Li's own claim to be related to the Li dynastic royal family of the Tang dynasty: the Tang emperors also claimed descent from the Li rulers of West Liang. This family was known as the Longxi Li lineage. Evidence suggests that during the Sui dynasty, Li's own ancestors, at that time for some reason classified socially as commoners, were forced into a form of exile from their original home (in what is now Gansu) to some location or locations further west. During their exile in the far west, the Li family lived in the ancient Silk Road city of Suiye (Suyab, now an archeological site in present-day Kyrgyzstan), and perhaps also in Tiaozhi, a state near modern Ghazni, Afghanistan. These areas were on the ancient Silk Road, and the Li family were likely merchants. Their business was quite prosperous.
In 705, when Li Bai was four years old, his father secretly moved his family to Sichuan, near Chengdu, where he spent his childhood. Currently, there is a monument commemorating this in Zhongba Town, Jiangyou, Sichuan province (the area of the modern province known then as Shu, after a former independent state which had been annexed by the Sui dynasty and later incorporated into the Tang dynasty lands). The young Li spent most of his growing years in Qinglian (青莲; 青蓮; "Blue [also translated as 'green', 'azure' or 'nature-coloured'] Lotus"), a town in Changming County, Sichuan, China. This now nominally corresponds with Qinglian Town (青莲镇; 青蓮鎮) of Jiangyou county-level city, in Sichuan.
The young Li read extensively, including Confucian classics such as The Classic of Poetry (Shijing) and the Classic of History (Shujing), as well as various astrological and metaphysical materials which Confucians tended to eschew, though he disdained to take the literacy exam. Reading the "Hundred Authors" was part of the family literary tradition, and he was also able to compose poetry before he was ten. The young Li also engaged in other activities, such as taming wild birds and fencing. His other activities included riding, hunting, traveling, and aiding the poor or oppressed by means of both money and arms. Eventually, the young Li seems to have become quite skilled in swordsmanship; as this autobiographical quote by Li himself both testifies to and also helps to illustrate the wild life that he led in the Sichuan of his youth:
"When I was fifteen, I was fond of sword play, and with that art I challenged quite a few great men."
Before he was twenty, Li had fought and killed several men, apparently for reasons of chivalry, in accordance with the knight-errant tradition (youxia).
In 720, he was interviewed by Governor Su Ting, who considered him a genius. Though he expressed a wish to become an official, he never took the civil service examination.
Li is known to have married four times. His first marriage, in 727, in Anlu, Hubei, was to the granddaughter of a former government minister. His wife was from the well-connected Xu (许; 許) family. Li Bai made this his home for about ten years, living in a home owned by his wife's family on Mount Bi (碧山; Bìshān). In 744, he married for the second time in what now is the Liangyuan District of Henan. This marriage was to another poet, surnamed Zong (宗), with whom he both had children and exchanges of poems, including many expressions of love for her and their children. His wife, Zong, was a granddaughter of Zong Chuke, an important government official during the Tang dynasty and the interregnal period of Wu Zetian.
In his mid-twenties, about 725, Li Bai left Sichuan, sailing down the Yangzi River through Dongting Lake to Nanjing, beginning his days of wandering. He then went back up-river, to Yunmeng, in what is now Hubei, where his marriage to the granddaughter of a retired prime minister, Xu Yushi, seems to have formed but a brief interlude. During the first year of his trip, he met celebrities and gave away much of his wealth to needy friends.
In 730, Li Bai stayed at Zhongnan Mountain near the capital Chang'an (Xi'an), and tried but failed to secure a position. He sailed down the Yellow River, stopped by Luoyang, and visited Taiyuan before going home. In 735, Li Bai was in Shanxi, where he intervened in a court martial against Guo Ziyi, who was later, after becoming one of the top Tang generals, to repay the favour during the An Shi disturbances. By perhaps 740, he had moved to Shandong. It was in Shandong at this time that he became one of the group known as the "Six Idlers of the Bamboo Brook" or the Seven Sages of the Bamboo Grove (Rong Qiqi's inclusion was anachronous), an informal group dedicated to literature and wine. He wandered about the area of Zhejiang and Jiangsu, eventually making friends with a famous Daoist priest, Wu Yun. In 742, Wu Yun was summoned by the Emperor to attend the imperial court, where his praise of Li Bai was great.
Wu Yun's praise of Li Bai led Emperor Xuanzong (born Li Longji and also known as Emperor Minghuang) to summon Li to the court in Chang'an. Li's personality fascinated the aristocrats and common people alike, including another Taoist (and poet), He Zhizhang, who bestowed upon him the nickname the "Immortal Exiled from Heaven". Indeed, after an initial audience, where Li Bai was questioned about his political views, the Emperor was so impressed that he held a big banquet in his honor. At this banquet, the Emperor was said to show his favor, even to the extent of personally seasoning his soup for him.
Emperor Xuanzong employed him as a translator, as Li Bai knew at least one non-Chinese language. Ming Huang eventually gave him a post at the Hanlin Academy, which served to provide scholarly expertise and poetry for the Emperor.
When the emperor ordered Li Bai to the palace, he was often drunk, but quite capable of performing on the spot.
Li Bai wrote several poems about the Emperor's beautiful and beloved Yang Guifei, the favorite royal consort. A story, probably apocryphal, circulates about Li Bai during this period. Once, while drunk, Li Bai had gotten his boots muddy, and Gao Lishi, the most politically powerful eunuch in the palace, was asked to assist in the removal of these, in front of the Emperor. Gao took offense at being asked to perform this menial service, and later managed to persuade Yang Guifei to take offense at Li's poems concerning her. At the persuasion of Yang Guifei and Gao Lishi, Xuanzong reluctantly, but politely, and with large gifts of gold and silver, sent Li Bai away from the royal court. After leaving the court, Li Bai formally became a Taoist, making a home in Shandong, but wandering far and wide for the next ten some years, writing poems. Li Bai lived and wrote poems at Bishan, or Bi Mountain (碧山), now Baizhao Mountain (白兆山) in Yandian, Hubei. Mount Bi (碧山) in the poem Question and Answer Amongst the Mountains (山中问答; 山中問答; Shānzhōng Wèndá) refers to this mountain.
He met Du Fu in the autumn of 744, when they shared a single room and various activities together, such as traveling, hunting, wine, and poetry, thus established a close and lasting friendship. They met again the following year. These were the only occasions on which they met, in person, although they continued to maintain a relationship through poetry. This is reflected in the dozen or so poems by Du Fu to or about Li Bai which survive, and the one from Li Bai directed toward Du Fu which remains.
A somewhat lesser known capital of Li Bai's life are the letters he wrote to various officials. In most of them, his aim was to seek political patronage. The famous letter to Han Jingzhou (韩荆州; 韓荆州) is maybe the most known example of his writing. Li Bai's style in his letters was very exaggerated, sometimes arrogant too. Contrary to what was the common practice at the time, i.e., depreciating tone for one's self and a praising tone for the candidate patron, Li Bai ornates his own personal image very vividly. Victor H. Mair translated some notable letters of Li Bai. An excerpt from the letter to Han Jing Zhou (与韩荆州书; 與韓荆州書; Yǔ Hán Jīngzhōu Shū), which Mair dates around 734 CE, illustrates Li Bai's perception of himself:
"At fifteen, I was fond of swordsmanship and ranged broadly in search of employment [131] with various lords. At thirty, I became an accomplished litterateur and contacted successively a number of high officers. Although I am not quite a six- footer, I am braver than ten thousand men. Princes, dukes, and high ministers admit that I have moral courage and high principles. This, then, has been my past spiritual biography. How could I venture not to explain it fully to Your Lordship?"
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