The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento], "rebirth") is a period in Italian history covering the 15th and 16th centuries. It is the initial development of the broader Renaissance culture that spread from Italy to the rest of Europe (and also to extra-European territories ruled by colonial powers or where Christian missionaries and/or traders were active). The period marked the transition from the Middle Ages to the modern era. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is also accepted. The French word renaissance (corresponding to rinascimento in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term rinascita ('rebirth') in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt.
The Renaissance began in Tuscany in Central Italy and centered in the city of Florence. The Florentine Republic, one of the several city-states of the peninsula, rose to economic and political prominence by providing credit to European monarchs and by laying the groundwork for developments in capitalism and banking. Renaissance culture later spread to Venice, the heart of a Mediterranean empire controlling trade routes with the east since its participation in the Crusades and following the journeys of Marco Polo between 1271 and 1295. Thus Italy renewed contact with the remains of ancient Greek culture, which provided humanist scholars with new texts. Finally the Renaissance had a significant effect on the Papal States and on Rome, largely rebuilt by humanist and Renaissance popes, such as Julius II and Leo X, who frequently became involved in Italian politics, in arbitrating disputes between competing colonial powers and in opposing the Protestant Reformation, which started c. 1517.
The Italian Renaissance has a reputation for its achievements in painting, architecture, sculpture, literature, music, philosophy, science, technology, and exploration. Italy became the recognized European leader in all these areas by the late 15th century, during the era of the Peace of Lodi (1454–1494) agreed between Italian states. The Italian Renaissance peaked in the mid-16th century as domestic disputes and foreign invasions plunged the region into the turmoil of the Italian Wars (1494–1559). However, the ideas and ideals of the Italian Renaissance spread into the rest of Europe, setting off the Northern Renaissance from the late 15th century. Italian explorers from the maritime republics served under the auspices of European monarchs, ushering in the Age of Discovery. The most famous voyage was that of Christopher Columbus (who sailed for Spain) and laid the foundation for European dominance of the Americas. Other explorers include Giovanni da Verrazzano (for France), Amerigo Vespucci (for Portugal), and John Cabot (for England). Italian scientists such as Falloppio, Tartaglia, Galileo and Torricelli played key roles in the Scientific Revolution, and foreigners such as Copernicus and Vesalius worked in Italian universities. Historiographers have proposed various events and dates of the 17th century, such as the conclusion of the European wars of religion in 1648, as marking the end of the Renaissance.
Accounts of Proto-Renaissance literature usually begin with the three great Italian writers of the 14th century: Dante Alighieri (Divine Comedy), Petrarch (Canzoniere), and Boccaccio (Decameron). Famous vernacular poets of the Renaissance include the epic authors Luigi Pulci (Morgante), Matteo Maria Boiardo (Orlando Innamorato), Ludovico Ariosto (Orlando Furioso), and Torquato Tasso (Jerusalem Delivered). 15th-century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek. In the early 16th century, Baldassare Castiglione laid out his vision of the ideal gentleman and lady in The Book of the Courtier, while Niccolò Machiavelli rejected the ideal with an eye on la verità effettuale della cosa ('the effectual truth of things') in The Prince, composed, in humanistic style, chiefly of parallel ancient and modern examples of virtù. Historians of the period include Machiavelli himself, his friend and critic Francesco Guicciardini and Giovanni Botero (The Reason of State). The Aldine Press, founded in 1494 by the printer Aldo Manuzio, active in Venice, developed Italic type and pocket editions that one could carry in one's pocket; it became the first to publish printed editions of books in Ancient Greek. Venice also became the birthplace of the commedia dell'arte.
Italian Renaissance art exercised a dominant influence on subsequent European painting and sculpture for centuries afterwards, with artists such as Leonardo da Vinci, Michelangelo, Raphael, Donatello, Giotto, Masaccio, Fra Angelico, Piero della Francesca, Domenico Ghirlandaio, Perugino, Botticelli, and Titian. Italian Renaissance architecture had a similar Europe-wide impact, as practised by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include the Florence Cathedral, St. Peter's Basilica in Rome, and the Tempio Malatestiano in Rimini, as well as several private residences. The musical era of the Italian Renaissance featured composers such as Giovanni Pierluigi da Palestrina, the Roman School and later the Venetian School, and the birth of opera through figures like Claudio Monteverdi in Florence. In philosophy, thinkers such as Galileo, Machiavelli, Giordano Bruno and Pico della Mirandola emphasized naturalism and humanism, thus rejecting dogma and scholasticism.
The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento], "rebirth") is a period in Italian history covering the 15th and 16th centuries. It is the initial development of the broader Renaissance culture that spread from Italy to the rest of Europe (and also to extra-European territories ruled by colonial powers or where Christian missionaries and/or traders were active). The period marked the transition from the Middle Ages to the modern era. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is also accepted. The French word renaissance (corresponding to rinascimento in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term rinascita ('rebirth') in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt.
The Renaissance began in Tuscany in Central Italy and centered in the city of Florence. The Florentine Republic, one of the several city-states of the peninsula, rose to economic and political prominence by providing credit to European monarchs and by laying the groundwork for developments in capitalism and banking. Renaissance culture later spread to Venice, the heart of a Mediterranean empire controlling trade routes with the east since its participation in the Crusades and following the journeys of Marco Polo between 1271 and 1295. Thus Italy renewed contact with the remains of ancient Greek culture, which provided humanist scholars with new texts. Finally the Renaissance had a significant effect on the Papal States and on Rome, largely rebuilt by humanist and Renaissance popes, such as Julius II and Leo X, who frequently became involved in Italian politics, in arbitrating disputes between competing colonial powers and in opposing the Protestant Reformation, which started c. 1517.
The Italian Renaissance has a reputation for its achievements in painting, architecture, sculpture, literature, music, philosophy, science, technology, and exploration. Italy became the recognized European leader in all these areas by the late 15th century, during the era of the Peace of Lodi (1454–1494) agreed between Italian states. The Italian Renaissance peaked in the mid-16th century as domestic disputes and foreign invasions plunged the region into the turmoil of the Italian Wars (1494–1559). However, the ideas and ideals of the Italian Renaissance spread into the rest of Europe, setting off the Northern Renaissance from the late 15th century. Italian explorers from the maritime republics served under the auspices of European monarchs, ushering in the Age of Discovery. The most famous voyage was that of Christopher Columbus (who sailed for Spain) and laid the foundation for European dominance of the Americas. Other explorers include Giovanni da Verrazzano (for France), Amerigo Vespucci (for Portugal), and John Cabot (for England). Italian scientists such as Falloppio, Tartaglia, Galileo and Torricelli played key roles in the Scientific Revolution, and foreigners such as Copernicus and Vesalius worked in Italian universities. Historiographers have proposed various events and dates of the 17th century, such as the conclusion of the European wars of religion in 1648, as marking the end of the Renaissance.
Accounts of Proto-Renaissance literature usually begin with the three great Italian writers of the 14th century: Dante Alighieri (Divine Comedy), Petrarch (Canzoniere), and Boccaccio (Decameron). Famous vernacular poets of the Renaissance include the epic authors Luigi Pulci (Morgante), Matteo Maria Boiardo (Orlando Innamorato), Ludovico Ariosto (Orlando Furioso), and Torquato Tasso (Jerusalem Delivered). 15th-century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek. In the early 16th century, Baldassare Castiglione laid out his vision of the ideal gentleman and lady in The Book of the Courtier, while Niccolò Machiavelli rejected the ideal with an eye on la verità effettuale della cosa ('the effectual truth of things') in The Prince, composed, in humanistic style, chiefly of parallel ancient and modern examples of virtù. Historians of the period include Machiavelli himself, his friend and critic Francesco Guicciardini and Giovanni Botero (The Reason of State). The Aldine Press, founded in 1494 by the printer Aldo Manuzio, active in Venice, developed Italic type and pocket editions that one could carry in one's pocket; it became the first to publish printed editions of books in Ancient Greek. Venice also became the birthplace of the commedia dell'arte.
Italian Renaissance art exercised a dominant influence on subsequent European painting and sculpture for centuries afterwards, with artists such as Leonardo da Vinci, Michelangelo, Raphael, Donatello, Giotto, Masaccio, Fra Angelico, Piero della Francesca, Domenico Ghirlandaio, Perugino, Botticelli, and Titian. Italian Renaissance architecture had a similar Europe-wide impact, as practised by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include the Florence Cathedral, St. Peter's Basilica in Rome, and the Tempio Malatestiano in Rimini, as well as several private residences. The musical era of the Italian Renaissance featured composers such as Giovanni Pierluigi da Palestrina, the Roman School and later the Venetian School, and the birth of opera through figures like Claudio Monteverdi in Florence. In philosophy, thinkers such as Galileo, Machiavelli, Giordano Bruno and Pico della Mirandola emphasized naturalism and humanism, thus rejecting dogma and scholasticism.
Origins and background
Northern and Central Italy in the Late Middle Ages
By the Late Middle Ages (c. 1300 onward), Latium, the former heartland of the Roman Empire, and southern Italy were generally poorer than the North. Rome was a city of ancient ruins, and the Papal States were loosely administered and vulnerable to external interference, particularly by France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France. In the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily and later for two centuries during the Norman Kingdom and the Hohenstaufen Kingdom, but had declined by the Late Middle Ages.
In contrast, Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest in Europe. The Crusades had built trade links to the Levant, and the Fourth Crusade had done much to destroy the Byzantine Empire as a commercial rival to the Venetians and the Genoese. The main trade routes from the east passed through the Byzantine Empire or the Arab lands and onward to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, and silks were imported to Italy and then resold throughout Europe. Moreover, the inland city-states profited from the rich agricultural land of the Po Valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade, which stretched from Egypt to the Baltic, generated substantial surpluses that allowed significant investment in mining and agriculture. By the 14th century, the city of Venice had become an emporium for lands as far as Cyprus; it boasted a naval fleet of over 5000 ships thanks to its arsenal, a vast complex of shipyards that was the first European facility to mass-produce commercial and military vessels. Genoa also had become a maritime power. Thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper. Florence became one of the wealthiest of the cities of Northern Italy, mainly due to its woolen textile production, developed under the supervision of its dominant trade guild, the Arte della Lana. Wool was imported from Northern Europe (and in the 16th century from Spain) and together with dyes from the east were used to make high-quality textiles.
The Italian trade routes that covered the Mediterranean and beyond were also major conduits of culture and knowledge. The recovery of lost Greek classics brought to Italy by refugee Byzantine scholars, who migrated during and following the Ottoman conquest of the Byzantine Empire in the 15th century, were important in sparking the new linguistic studies of the Renaissance, in newly created academies in Florence and Venice. Humanist scholars searched monastic libraries for ancient manuscripts and recovered Tacitus and other Latin authors. The rediscovery of Vitruvius meant that the architectural principles of Antiquity could be observed once more, and Renaissance artists were encouraged, in the atmosphere of humanist optimism, to excel in the achievements of the Ancients, like Apelles, of whom they read.
Religious background
After the fall of the Western Roman Empire in the fifth century AD, the Catholic Church filled the subsequent vacuum. In the Middle Ages, the Church was considered to be the will of God, and it regulated the standard of behaviour in life. A lack of literacy and prohibitions against translations of the Bible required most people to rely on the priestly explanation of Biblical ethics and laws.
In the eleventh century, the Church persecuted many groups including pagans, Jews, and lepers in order to eliminate irregularities in society and strengthen Church power. In response to the laity's challenge to Church authority, bishops played an important role as they gradually lost control of secular authority. To regain the power of discourse, they adopted extreme control methods, such as persecuting infidels.
The Church also collected wealth from believers in the Middle Ages, such as through the sale of indulgences, although this mainly occurred in northern Europe. It also did not pay taxes, making the Church's wealth greater than some kings.
Thirteenth century
In the 13th century, much of Europe experienced strong economic growth. The trade routes of the Italian states linked with those of established Mediterranean ports and eventually the Hanseatic League of the Baltic and northern regions of Europe to create a network economy in Europe for the first time since the 4th century. The city-states of Italy expanded greatly during this period and grew in power to become de facto fully independent of the Holy Roman Empire; and apart from the Kingdom of Naples, outside powers kept their armies out of Italy. In the previous centuries, since Christians had not been allowed to lend money nor the Jews to farm, the Jewish communities had developed a modern commercial infrastructure, with double-entry book-keeping, joint stock companies, an international banking system, systematized foreign exchange market, insurance, government debt. In this period, Italian bankers began to rival the previous dominant role of the Jewish communities on financial services. Cities such as Siena and Florence became centers of this financial industry, and the gold florin eventually became the main currency of international trade.
The new mercantile governing class, who gained their position through the loss of two-thirds of the Western European population in recurring plagues (followed by the Muslim sale of over a million Christian slaves into Africa) left acute labor shortages and a civilization able to demand higher pay and even private land ownership in return. The smaller population ultimately replaced the feudal aristocratic model that had dominated Europe in the Middle Ages.
A feature of the High Middle Ages in Northern Italy was the rise of the urban communes which had broken from the control by bishops and local counts. In much of the region, the landed nobility was poorer than the urban patriarchs in the high medieval money economy, whose inflationary rise left land-holding aristocrats impoverished. The increase in trade during the early Renaissance enhanced these characteristics. The sharp decline in population led to a new class that replaced the serfs of feudalism and the rise of cities were synergistic; the demand for luxury goods, for example, led to an increase in trade, which led to greater numbers of tradesmen becoming wealthy, who, in turn, created a demand for spices and luxury goods. This change gave the merchants almost complete control of the governments of the Italian city-states, again enhancing trade. This atmosphere created a demand for visual symbols of wealth.
One of the most important effects of political control was security. Those who grew extremely wealthy in a feudal state ran the constant risk of running afoul of the monarchy and having their lands confiscated, as famously happened to Jacques Cœur in France. The northern states also kept many medieval laws that severely hampered commerce, such as those against usury, and prohibitions on trading with non-Christians. In the city-states of Italy, these laws were repealed or rewritten.
Fourteenth-century collapse
The 14th century saw a series of catastrophes that caused the European economy to go into recession. The Medieval Warm Period was ending as climate change began the Little Ice Age. A colder climate saw agricultural output decline significantly, leading to repeated famines, exacerbated by the rapid population growth of the prior era. The Hundred Years' War between England and France disrupted trade throughout northwest Europe, most notably when, in 1345, King Edward III of England repudiated his debts, contributing to the collapse of the two largest Florentine banks, those of the Bardi and Peruzzi.
In the east, war against Islam had disrupted trade routes as the Ottoman Empire expanded throughout the region. But most devastating was the Black Death that decimated the populations of the densely populated cities of Northern Italy and returned at intervals thereafter. Florence, for instance, which had a pre-plague population of 45,000 decreased over the next 47 years by 25–50%. Widespread disorder followed, including a revolt of Florentine textile workers, the ciompi, in 1378.
It was during this period of instability that the first secular authors such as Dante and Petrarch lived, and the stirrings of Renaissance art were to be seen, notably in the realism of Giotto. These disasters would help bring about the Renaissance. As the Black Death wiped out a third of Europe's population, the resulting labour shortage increased wages and the remaining population became much wealthier, better fed, and, significantly, had more surplus money to spend on luxury goods.
As incidences of the plague began to decline in the early 15th century, Europe's devastated population once again began to grow. The new demand for products and services also helped create a growing class of bankers, merchants, and skilled artisans. The horrors of the Black Death and the seeming inability of the Church to provide relief would contribute to a decline of church influence. Additionally, the collapse of the Bardi and Peruzzi banks would open the way for the Medici doges to rise to prominence in Florence. Roberto Sabatino Lopez argues that this economic collapse was the chief cause of the Renaissance. According to this view, in a more prosperous era, businessmen would have quickly reinvested their earnings in order to make more money in a climate favorable to investment. However, in the leaner years of the 14th century, the wealthy found few promising investment opportunities for their earnings and instead chose to spend more on culture and art. Unlike Roman texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Italy. Ancient Greek works on science, math and philosophy had been studied since the High Middle Ages in Western Europe and in the Islamic Golden Age (normally in translation), but Greek literary, oratorical and historical works (such as Homer, the Greek dramatists, Demosthenes and Thucydides) were not studied in either the Latin nor the medieval Muslim worlds; in the Middle Ages these sorts of texts were studied only by Byzantine scholars. Some argue that the Timurid Renaissance in Samarkand was linked with the Ottoman Empire, whose conquests led to the migration of Greek scholars to Italy.
One of the greatest achievements of Italian Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity.
Another popular explanation for the Italian Renaissance is the thesis, first advanced by historian Hans Baron, claims that the primary impetus of the early Renaissance was the long-running series of wars between Florence and Milan. By the late 14th century, Milan had become a centralized monarchy under the control of the Visconti family. Giangaleazzo Visconti, who ruled the city from 1378 to 1402, was renowned both for his cruelty and for his abilities, and set about building an empire in Northern Italy. He launched a long series of wars, with Milan steadily conquering neighbouring states and defeating the various coalitions led by Florence that sought in vain to halt the advance. This culminated in the 1402 siege of Florence when it looked as though the city was doomed to fall, before Giangaleazzo suddenly died and his empire collapsed.