Paestum ( PEST-əm, PEE-stəm, Latin: [ˈpae̯stũː]) was a major ancient Greek city on the coast of the Tyrrhenian Sea, in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BCE that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele.
Paestum was established around 600 BCE by settlers from Sybaris, a Greek colony in southern Italy, under the name of Poseidonia (Ancient Greek: Ποσειδωνία). The city thrived as a Greek settlement for about two centuries, witnessing the development of democracy. In 400 BCE, the Lucanians seized the city. Romans took over in 273 BCE, renaming it Paestum and establishing a Latin colony. Later, its decline ensued from shifts in trade routes and the onset of flooding and marsh formation. As Pesto or Paestum, the town became a bishopric (now only titular), but it was abandoned in the Early Middle Ages, and left undisturbed and largely forgotten until the eighteenth century.
Today the remains of the city are found in the modern frazione of Paestum, which is part of the comune of Capaccio Paestum in the Province of Salerno in the region of Campania, Italy. The modern settlement, directly to the south of the archaeological site, is a popular seaside resort with long sandy beaches. The Paestum railway station on the Naples-Salerno-Reggio Calabria railway line is directly to the east of the ancient city walls.
Name
The Greek settlers who founded the city originally named it Poseidonia (Ancient Greek: Ποσειδωνία). It was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name.
Ancient ruins and features
Much of the most celebrated features of the site today are the three large temples in the Archaic version of the Greek Doric order, dating from about 550 to 450 BCE. All are typical of the period, with massive colonnades having a very pronounced entasis (widening as they go down), and very wide capitals resembling upturned mushrooms. Above the columns, only the second Temple of Hera retains most of its entablature, the other two having only the architrave in place.
These were dedicated to Hera and Athena (Juno and Minerva to the Romans), although previously they often have been identified otherwise, following eighteenth-century arguments. The two temples of Hera are right next to each other, while the Temple of Athena is on the other side of the town center. There were other temples, both Greek and Roman, which are far less well preserved.
Paestum is far from any sources of good marble. Unsurprisingly, the three main temples had few stone reliefs, perhaps using painting instead. Painted terracotta was used for some detailed parts of the structure. The large pieces of terracotta that have survived are in the museum.
The whole ancient city of Paestum covered an area of approximately 120 hectares. Only the 25 hectares that contain the three main temples and the other main buildings have been excavated. The other 95 hectares remain on private land and have not been studied.
The ancient city was surrounded by defensive walls, which are largely intact. The walls are approximately 4.75 km (3 mi) long in its polygonal perimeter, typically 7 m (23 ft) high, and 5–7 m (16–23 ft) thick. Corresponding with the cardinal points, there were four main openings in the wall: Porta Sirena (east to the hills); Porta Giustizia (south, now to the modern village Paestum); Porta Marina (west to the sea); and Porta Aurea (north), which was later destroyed. Positioned along the wall were 24 square or round towers. There may have been as many as 28, but some of them (and Porta Aurea) were destroyed during the construction of a highway during the 18th century that effectively cut the ancient site in two.
The central area is completely clear of modern buildings and always has been largely so, since the Middle Ages. Although much stone has been stripped from the site, large numbers of buildings remain detectable by their footings or the lower parts of their walls, and the main roads remain paved. A low-built heroon or shrine memorial to an unknown local hero survived intact; the contents are in the museum. Numerous tombs have been excavated outside the walls.
The three Greek Temples
The first Temple of Hera, built around 550 BCE by the Greek colonists, is the oldest surviving temple in Paestum and the one farthest south. 18th-century archaeologists named it "the Basilica" because some mistakenly believed it to be a Roman building. (The original Roman basilica was essentially a civic form of building, before the basilica plan was adopted by the Early Christians for churches.)
Inscriptions and terracotta statuettes revealed that the goddess worshiped here was Hera. Later, an altar was unearthed in front of the temple, in the open-air site usual for a Greek altar. The faithful could attend rites and sacrifices without entering the cella or inner sanctuary.
The columns have a very strong entasis or curvature down their length, an indication of an early date of construction. Some of the capitals still retain visible traces of their original paint. The temple is wider than most Greek temples, probably because there are two doors and a row of seven columns running centrally inside the cella, an unusual feature. This may reflect a dual dedication of the temple. Having an odd number of columns, here nine, across the shorter sides also is very unusual; there are eighteen columns along the longer sides. This was possible, or necessary, because of the two doors, so that neither has a view blocked by a column.
On the highest point of the town, some way from the Hera Temples and north of the center of the ancient settlement, is the Temple of Athena. It was built around 500 BCE, and was for some time incorrectly thought to have been dedicated to Ceres. The architecture is transitional, being mainly built in early Doric style and partially Ionic. Three medieval Christian tombs in the floor show that the temple was at one time used as a Christian church.
The second Temple of Hera was built around 460–450 BCE, just north of the first Hera Temple, the two both part of a Heraion, or sanctuary to the goddess. It was once thought to be dedicated to Poseidon, who may have been a secondary focus of worship there. Instead of the typical 20 flutes on each column, they have 24 flutes. The Temple of Hera II also has a wider column size and smaller intervals between columns. The temple was also used to worship Zeus and another deity, whose identity is unknown. There are visible on the east side the remains of two altars, one large and one smaller. The smaller one is a Roman addition, built when a road leading to a Roman forum was cut through the larger one. It also is possible that the temple originally was dedicated to both Hera and Poseidon; some offertory statues found around the larger altar are thought to demonstrate this identification.
Other archaeological features
In the central part of the complex is the Roman Forum, thought to have been built on the site of the preceding Greek agora. On the north side of the forum is a small Roman temple, dated to 200 BCE. It was dedicated to the Capitoline Triad, Jupiter, Juno and Minerva.
Between the forum and the temples of Hera and Poseidon, six small temple buildings from the Hellenistic period have been identified.
To the north-east of the forum is the amphitheater. This is of normal Roman pattern, although much smaller than later examples. Only the western half is visible; in 1930 CE, a road was built across the site, burying the eastern half. It is said by local inhabitants that the civil engineer responsible was tried, convicted and received a prison sentence for what was described as wanton destruction of a historic site. There is also a small circular council hall (bouleuterion) or assembly space (ekklesiasterion), with seats in tiers. It was probably never roofed, but had a wall around it, perhaps with a small arcade round the inside. This ceased to have a role in Roman times and was filled over.
The heroön, close to the forum and the Temple of Athena, probably celebrated the founder of the city, though constructed around a century after the death of this unnamed figure. It was a low tumulus with a walled rectangular enclosure faced with large stones around it. When it was excavated in 1954 a low stone chamber with a pitched roof was discovered at the centre, half below the surrounding ground level and half above. This contained several large, rare, and splendid bronze vessels, perhaps not locally made, and a large Athenian pottery black-figure amphora of about 520–500 BCE. The bronze vessels had traces of honey inside. These are all now in the museum.
Just south of the city walls, at a site still called Santa Venera, a series of small terracotta offertory molded statuettes of a standing nude woman wearing the polos headdress of Anatolian and Syrian goddesses, which were dated to the first half of the sixth century BCE, were found in the sanctuary. Other similar ones have been excavated at other Paestum sanctuaries during excavations in the 1980s. The figure is highly unusual in the Western Mediterranean. The open-air temenos was established at the start of Greek occupation: a temple on the site was not built until the early fifth century BCE. A nude goddess is a figure alien to Greek culture before the famous Cnidian Aphrodite by Praxiteles in the fourth century: iconographic analogies must be sought in Phoenician Astarte and the Cypriote Aphrodite. "In places where the Greeks and Phoenicians came in contact with one another, there is often an overlapping in the persona of the two deities."
Inscriptions make clear that during Roman times the cult was reserved to Venus.
Painted tombs
Paestum also is renowned for its painted tombs, mainly belonging to the Lucanian period, while only one of them dates to the Greek period. However, this is the Tomb of the Diver (Italian: Tomba del tuffatore), which is the most famous. It is named after the enigmatic scene, depicted on the underside of the covering slab, of a young man diving into a stream of water. It dates to the first half of the fifth century BCE (about 470 BCE), the Golden Age of the Greek town. It was found, on 3 June 1968, in a small necropolis some 1.5 km south of the ancient walls. The paintings have now been transferred to the museum. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Among the thousands of Greek tombs known from this time (roughly 700–400 BCE), this is the only one found to have been decorated with frescoes of human subjects."
The remaining four walls of the tomb are occupied by symposium-related scenes, an iconography far more familiar from Greek pottery than the diving scene. All the five frescoes are displayed in the museum, together with other cycles from Lucanian painted tombs. In contrast to earlier Greek tomb paintings, these later scenes have many figures and a high proportion of scenes including horses and equestrian sports.
Sele complex
A few kilometres from Paestum there was a temple complex at the mouth of the Sele river (Foce del Sele in Italian) dedicated to Hera. The temple is now all but destroyed, and little remains of several other buildings. About 70 of the sixth-century BCE Archaic metope relief panels on the temple and another building at the site were recovered, however. These fall into two groups, the earlier of which shows the story of the life of Heracles in 38 surviving reliefs; the later group, of about 510 BCE, shows pairs of running women. The earlier cycle forms the centrepiece of the Paestum museum, set in place around walls of the original height. At the site there is a museo narrante with video displays, but no original artefacts.
Art from Paestum
The National Archaeological Museum of Paestum holds the largest collection, but many significant pieces were removed from the site before modern controls and are in a number of collections around the world. The National Archaeological Museum of Spain in Madrid has especially rich holdings, with two important Imperial Roman statues and many, very fine vases (see below). Other pieces, mostly painted pottery, are in the Louvre, the Antikensammlung Berlin, and other museums in Europe and America.
In the case of painted pottery, a number of individual artists, especially from the fourth century BCE, have been identified and given notnames whose work has been found in tombs around the city and the region, and sometimes farther afield. It has been presumed that these artists were based in the city.
National Archaeological Museum
The highlights of the National Archaeological Museum of Paestum are mentioned above: the Sele metopes, the Tomb of the Diver, and the contents of the Heroon. The displays also show a number of large painted terracotta architectural fragments from the temples and other buildings, many Greek terracotta figurines, and incomplete larger terracotta statues, and pottery including painted vases.