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Founding
Founding of Kenilworth Castle
castle ruin in the town of Kenilworth, Warwickshire, England, UK
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Founding
castle ruin in the town of Kenilworth, Warwickshire, England, UK
Fetching the article from Wikipedia…
Kenilworth Castle is a castle in the town of Kenilworth in Warwickshire, England, managed by English Heritage; much of it is in ruins. The castle was founded after the Norman Conquest of 1066; with development through to the Tudor period. It has been described by the architectural historian Anthony Emery as "the finest surviving example of a semi-royal palace of the later Middle Ages, significant for its scale, form and quality of workmanship".
Kenilworth played an important historical role: it was the subject of the six-month-long siege of Kenilworth in 1266, thought to be the longest siege in medieval English history, and formed a base for Lancastrian operations in the Wars of the Roses. Kenilworth was the scene of the removal of Edward II from the English throne, the perceived French insult to Henry V in 1414 of a gift of tennis balls (said by John Strecche to have prompted the campaign that led to the Battle of Agincourt), and the Earl of Leicester's lavish reception of Elizabeth I in 1575. It has been described as "one of two major castles [with Caerphilly Castle] in Britain which may be classified as water-castles or lake-fortresses...".
The castle was built over several centuries. Founded in the 1120s around a powerful Norman great tower, the castle was significantly enlarged by King John at the beginning of the 13th century. Huge water defences were created by damming the local streams, and the resulting fortifications proved able to withstand assaults by land and water in 1266. John of Gaunt spent lavishly in the late 14th century, turning the medieval castle into a palace fortress designed in the latest perpendicular style. The Earl of Leicester then expanded the castle during his tenure in the 16th century, constructing new Tudor buildings and exploiting the medieval heritage of Kenilworth to produce a fashionable Renaissance palace.
Although now ruined as a result of the slighting, or partial destruction of the castle by Parliamentary forces in 1649 to prevent it being used as a military stronghold after the English Civil War, Kenilworth illustrates five centuries of English military and civil architecture. The castle is built almost entirely from local New Red Sandstone.
To the south-east of the main castle lie the Brays, a corruption of the French word braie, meaning an external fortification with palisades. Only earthworks and fragments of masonry remain of what was an extensive 13th-century barbican structure including a stone wall and an external gatehouse guarding the main approach to the castle. The area now forms part of the car park for the castle.
Beyond the Brays are the ruins of the Gallery Tower, a second gatehouse remodelled in the 15th century. The Gallery Tower originally guarded the 152-metre (499-foot) long, narrow walled-causeway that still runs from the Brays to the main castle. This causeway was called the Tiltyard, as it was used for tilting, or jousting, in medieval times. The Tiltyard causeway acted both as a dam and as part of the barbican defences. To the east of the Tiltyard is a lower area of marshy ground, originally flooded and called the Lower Pool, and to the west an area once called the Great Mere. The Great Mere has been drained and cultivated as a meadow, but it was originally a large lake covering around 100 acres (40 ha), dammed by the Tiltyard causeway.
The outer bailey of Kenilworth Castle is usually entered through Mortimer's Tower, today a modest ruin but originally a Norman stone gatehouse, extended in the late 13th and 16th centuries. The outer bailey wall, long and relatively low, was built mainly by King John; it has numerous buttresses but only a few towers, being designed to be defended primarily by the water system of the Great Mere and Lower Pool. The north side of the outer bailey wall was almost entirely destroyed during the slighting. Moving clockwise around the outer bailey from Mortimer's Tower, the defences include a west-facing watergate, which would originally have led onto the Great Mere; the King's gate, a late 17th-century agricultural addition; the Swan Tower, a late 13th-century tower with 16th-century additions, then named after the swans that lived on the Great Mere; the early 13th-century Lunn's Tower; and the 14th-century Water Tower, so named because it overlooked the Lower Pool.
Kenilworth's inner court consists of a number of buildings set against a bailey wall, originally of Norman origin. It exploits the defensive value of a natural knoll that rises up steeply from the surrounding area. The 12th-century great tower occupies the knoll itself and forms the north-east corner of the bailey. Ruined during the slighting, the great tower is notable for its huge corner turrets, essentially hugely exaggerated Norman pilaster buttresses. Its walls are 5 metres (16 feet) thick, and the towers 30 metres (98 feet) high. Although Kenilworth's great tower is larger, it is similar to that of Brandon Castle near Coventry; both were built by the local Clinton family in the 1120s. The tower can be termed a hall keep, as it is longer than it is wide. The lowest floor is filled with earth, possibly taken from the earlier motte that may have been present on the site, and is further protected by a sloping stone plinth around the base. The tall Tudor windows at the top of the tower date from the 1570s.
Much of the northern part of the inner bailey was built by John of Gaunt, a son of King Edward III, between 1372 and 1380. This part of the castle is considered by historian Anthony Emery to be "the finest surviving example of a semi-royal palace of the later middle ages, significant for its scale, form and quality of workmanship". Gaunt's architectural style emphasised rectangular design, the separation of ground floor service areas from the upper stories and a contrast of austere exteriors with lavish interiors, especially on the 1st floor of the inner bailey buildings. The result is considered "an early example of the perpendicular style".
The most significant of Gaunt's buildings is his great hall. The great hall replaced an earlier sequence of great halls on the same site, and was strongly influenced by Edward III's design at Windsor Castle. The hall consists of a "ceremonial sequence of rooms", approached by a particularly grand staircase, now lost. From the great hall, visitors could look out through huge windows to admire the Great Mere or the inner court. The undercroft to the hall, used by the service staff, was lit with slits, similar to design at the contemporary Wingfield Manor. The roof was built in 1376 by William Wintringham, producing the widest hall, unsupported by pillars, existing in England at the time. There is some debate amongst historians as to whether this roof was a hammerbeam design, a collar and truss-brace design, or a combination of the two.
There was an early attempt at symmetry in the external appearance of the great hall – the Strong and Saintlowe Towers architecturally act as near symmetrical "wings" to the hall itself, while the plinth of the hall is designed to mirror that of the great tower opposite it. An unusual multi-sided tower, the Oriel, provides a counterpoint to the main doorway of the hall and was intended for private entertainment by Gaunt away from the main festivities on major occasions. The Oriel tower is based on Edward III's "La Rose" Tower at Windsor, which had a similar function. Gaunt's Strong Tower is so named for being entirely vaulted in stone across all its floors, an unusual and robust design. The great hall influenced the design of Bolton and Raby castles. The hall's roof design was independently famous and was copied at Arundel Castle and Westminster Hall.
Other parts of the castle built by Gaunt include the southern range of state apartments, Gaunt's Tower and the main kitchen. Although now extensively damaged, these share the same style as the great hall; this would have unified the appearance of Gaunt's palace in a distinct break from the more eclectic medieval tradition of design. Gaunt's kitchen replaced the original 12th-century kitchens, built alongside the great tower in a similar fashion to the arrangement at Conisbrough. Gaunt's new kitchen was twice the size of that in equivalent castles, measuring nineteen by eight metres (62 by 26 feet).
The remainder of the inner court was built by Robert Dudley, 1st Earl of Leicester, in the 1570s. He built a tower now known as Leicester's building on the south edge of the court as a guest wing, extending out beyond the inner bailey wall for extra space. Leicester's building was four floors high and built in a fashionable contemporary Tudor style with "brittle, thin walls and grids of windows". The building was intended to appear well-proportioned alongside the ancient great tower, one of the reasons for its considerable height. Leicester's building set the style for later Elizabethan country house design, especially in the Midlands, with Hardwick Hall being a classic example. Modern viewing platforms, installed in 2014, provide views from Elizabeth I's former bedroom.
Leicester also built a loggia, or open gallery, beside the great keep to lead to the new formal gardens. The loggia was designed to elegantly frame the view as the observer slowly admired the gardens, and was a new design in the 16th century, only recently imported from Italy.
The rest of Kenilworth Castle's interior is divided into three areas: the base court, stretching between Mortimer's Tower and Leicester's gatehouse; the left-hand court, stretching south-west around the outside of the inner court; and the right-hand court, to the north-west of the inner court. The line of trees that cuts across the base court today is a relatively modern mid-19th century addition, and originally this court would have been more open, save for the collegiate chapel that once stood in front of the stables. Destroyed in 1524, only the chapel's foundations remain. Each of the courts was designed to be used for different purposes: the base court was considered a relatively public area, with the left and right courts used for more private occasions.
Leicester's gatehouse was built on the north side of the base court, replacing an older gatehouse to provide a fashionable entrance from the direction of Coventry. The external design, with its symbolic towers and, originally, battlements, echoes a style popular a century or more before, closely resembling Kirby Muxloe and the Beauchamp gatehouse at Warwick Castle. By contrast the interior, with its contemporary wood panelling, is in the same, highly contemporary Elizabethan fashion of Leicester's building in the inner court. Leicester's gatehouse is one of the few parts of the castle to remain intact. The stables built by John Dudley in the 1550s also survive and lie along the east side of the base court. The stable block is a large building built mostly in stone, but with a timber-framed, decoratively panelled first storey designed in an anachronistic, vernacular style. Both buildings could have easily been seen from Leicester's building and were therefore on permanent display to visitors. Leicester's intent may have been to create a deliberately anachronistic view across the base court, echoing the older ideals of chivalry and romance alongside the more modern aspects of the redesign of the castle.
Much of the right-hand court of Kenilworth Castle is occupied by the castle garden. For most of Kenilworth's history the role of the castle garden, used for entertainment, would have been very distinct from that of the surrounding chase, used primarily for hunting. From the 16th century onwards there were elaborate knot gardens in the base court. The gardens today are designed to reproduce as closely as possible the primarily historical record of their original appearance in 1575, with a steep terrace along the south side of the gardens and steps leading down to eight square knot gardens. In Elizabethan gardens "the plants were almost incidental", and instead the design focus was on sculptures, including four wooden obelisks painted to resemble porphyry and a marble fountain with a statue of two Greek mythological figures. A timber aviary contains a range of birds. The original garden was heavily influenced by the Italian Renaissance garden at Villa d'Este.
To the north-west of the castle are earthworks marking the spot of the "Pleasance", created in 1414 by Henry V. The Pleasance was a banqueting house built in the style of a miniature castle. Surrounded by two diamond-shaped moats with its own dock, the Pleasance was positioned on the far side of the Great Mere and had to be reached by boat. It resembled Richard II's retreat at Sheen from the 1380s, and was later copied by his younger brother, Humphrey, Duke of Gloucester, at Greenwich in the 1430s, as well by his other brother, John of Lancaster, Duke of Bedford at Fulbrook. The Pleasance was eventually dismantled by Henry VIII and partially moved into the left-hand court inside the castle itself, possibly to add to the anachronistic appearance. These elements were finally destroyed in the 1650s.
Text from the Wikipedia article “Kenilworth Castle”, available under CC BY-SA 4.0.