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church in Vienna, Austria
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St. Stephen's Cathedral (German: Domkirche St. Stephan [ˈdɔmˌkɪʁçə ˈzaŋkt ˈʃ͡tɛfan] also known as Stephansdom German pronunciation: [ˈʃ͡tɛfansˌdoːm]) is a Roman Catholic church in Vienna, Austria, and the mother church of the Archdiocese of Vienna. It is the seat of the Archbishop of Vienna, Josef Grünwidl.
The current Romanesque and Gothic form of the cathedral, seen today in the Stephansplatz, was largely initiated by Duke Rudolf IV (1339–1365) and stands on the ruins of two earlier churches, the first a parish church consecrated in 1147. The most important religious building in Vienna, St. Stephen's Cathedral has borne witness to many important events in Habsburg and Austrian history and has, with its multi-coloured tile roof, become one of the city's most recognizable symbols. It has 256 stairs from the top to the bottom
By the middle of the 12th century, Vienna had become an important municipal centre, and the four existing churches, including only one parish church, no longer met the town's religious needs. In 1137, Bishop of Passau Reginmar and Margrave Leopold IV signed the Treaty of Mautern, which referred to Vienna as a civitas for the first time and transferred St. Peter's Church to the Diocese of Passau. Under the treaty, Margrave Leopold IV also received from the bishop extended stretches of land beyond the city walls, with the notable exception of the territory allocated for the new parish church, which would eventually become St. Stephen's Cathedral. Although previously believed built in an open field outside the city walls, the new parish church was in actuality likely built on an ancient cemetery dating to Ancient Roman times; excavations for a heating system in 2000 revealed graves 2.5 metres (8.2 ft) below the surface, which were carbon-dated to the 4th century. This discovery suggests that an even older religious building on this site predated the St. Rupert's Church, which is considered the oldest church in Vienna.
Founded in 1137 following the Treaty of Mautern, the partially constructed Romanesque church was solemnly dedicated in 1147 to Saint Stephen in the presence of Conrad III of Germany, Bishop Otto of Freising, and other German nobles who were about to embark on the Second Crusade. Although the first structure was completed in 1160, major reconstruction and expansion lasted until 1511, and repair and restoration projects continue to the present day. From 1230 to 1245, the initial Romanesque structure was extended westward; the present-day west wall and Romanesque towers date from this period. In 1258, however, a great fire destroyed much of the original building, and a larger replacement structure, also Romanesque in style and reusing the two towers, was constructed over the ruins of the old church and consecrated 23 April 1263. The anniversary of this second consecration is commemorated each year by a rare ringing of the Pummerin bell for three minutes in the evening.
In 1304, King Albert I ordered a Gothic three-nave choir to be constructed east of the church, wide enough to meet the tips of the old transepts. Under his son Duke Albert II, work continued on the Albertine choir, which was consecrated in 1340 on the 77th anniversary of the previous consecration. The middle nave is largely dedicated to St. Stephen and All Saints, while the north and south nave, are dedicated to St. Mary and the Apostles respectively. Duke Rudolf IV, the Founder, Albert II's son, expanded the choir again to increase the religious clout of Vienna. On 7 April 1359, Rudolf IV laid the cornerstone for a westward Gothic extension of the Albertine choir in the vicinity of the present south tower. This expansion would eventually encapsulate the entirety of the old church, and in 1430, the edifice of the old church was removed from within as work progressed on the new cathedral. The south tower was completed in 1433, and vaulting of the nave took place from 1446 to 1474. The foundation for a north tower was laid in 1450, and construction began under master Lorenz Spenning, but its construction was abandoned when major work on the cathedral ceased in 1511.
In 1365, just six years after beginning the Gothic extension of the Albertine choir, Rudolf IV disregarded St. Stephen's status as a mere parish church and presumptuously established a chapter of canons befitting a large cathedral. This move was only the first step in fulfilling Vienna's long-held desire to obtain its own diocese; in 1469, Emperor Frederick III prevailed upon Pope Paul II to grant Vienna its own bishop, to be appointed by the emperor. Despite long-standing resistance by the Bishops of Passau, who did not wish to lose control of the area, the Diocese of Vienna was canonically established on 18 January 1469, with St. Stephen's Cathedral as its mother church. In 1722 during the reign of Emperor Charles VI, Pope Innocent XIII elevated the see to an archbishopric.
During World War II, the cathedral was saved from intentional destruction at the hands of retreating German forces when Wehrmacht Captain Gerhard Klinkicht disregarded orders from the city commandant, "Sepp" Dietrich, to "fire a hundred shells and reduce it to rubble". On 12 April 1945, civilian looters lit fires in nearby shops as Soviet Army troops entered the city. The winds carried the fire to the cathedral, where it severely damaged the roof, causing it to collapse. Fortunately, protective brick shells built around the pulpit, Frederick III's tomb, and other treasures, minimized damage to the most valuable artworks. However, the Rollinger choir stalls, carved in 1487, could not be saved. Reconstruction began immediately after the war, with a limited reopening 12 December 1948 and a full reopening 23 April 1952.
The church was dedicated to St. Stephen, also the patron of the bishop's cathedral in Passau, and so was oriented toward the sunrise on his feast day of 26 December, as the position stood in the year that construction began. Built of limestone, the cathedral is 107 metres (351 ft) long, 40 metres (130 ft) wide, and 136 metres (446 ft) tall at its highest point. Over the centuries, soot and other forms of air pollution accumulating on the church have given it a black colour, but recent restoration projects have again returned some portions of the building to their original white.
Standing at 136 meters (446 ft) tall and affectionately referred to by the city's inhabitants as "Steffl" (a diminutive form of "Stephen"), St. Stephen's Cathedral's massive south tower is its highest point and a dominant feature of the Vienna skyline. Its construction lasted 65 years, from 1368 to 1433. During the Siege of Vienna in 1529 and again during the Battle of Vienna in 1683, it served as the main observation and command post for the defence of the walled city, and it even contains an apartment for the watchmen who, until 1955, manned the tower at night and rang the bells if a fire was spotted in the city. At the tip of the tower stands the double-eagle imperial emblem with the Habsburg-Lorraine coat of arms on its chest, surmounted by a double-armed apostolic cross, which refers to Apostolic Majesty, the imperial style of kings of Hungary. This emblem replaced earlier crescent and the six-pointed star emblem. The original emblem, as well as a couple of later ones, today can be seen at the Vienna City Museum.
The north tower was originally intended to mirror the south tower, but the design proved too ambitious, considering the era of Gothic cathedrals was nearing its end, and construction was halted in 1511. In 1578, the tower-stump was augmented with a Renaissance cap, nicknamed the "water tower top" by the Viennese. The tower now stands at 68 metres (223 ft) tall, roughly half the height of the south tower.
The main entrance to the church is named the Giant's Door, or Riesentor, possibly referring to the thighbone of a mammoth that hung over it for decades after being unearthed in 1443 while digging the foundations for the north tower, or else to the funnel shape of the door, from the Middle High German word risen, meaning 'sink or 'fall'. The tympanum above the Giant's Door depicts Christ Pantocrator flanked by two winged angels, while on the left and right are the two Roman Towers, or Heidentürme, that each stand at approximately 65 metres (213 ft) tall. The name for the towers derives from the fact that they were constructed from the rubble of old structures built by the Romans (German Heiden meaning heathens or pagans) during their occupation of the area. Square at the base and octagonal above the roofline, the Heidentürme originally housed bells; those in the south tower were lost during World War II, but the north tower remains an operational bell tower. The Roman Towers, together with the Giant's Door, are the oldest parts of the church.
The glory of St. Stephen's Cathedral is its ornately patterned, richly coloured roof, 111 metres (364 ft) long, and covered by 230,000 glazed tiles. Above the choir on the south side of the building the tiles form a mosaic of the double-headed eagle that is symbolic of the empire ruled from Vienna by the Habsburg dynasty. On the north side, the coats of arms of the City of Vienna and of the Republic of Austria are depicted. In 1945, fire caused by World War II damage to nearby buildings leapt to the north tower of the cathedral and destroyed the wooden framework of the roof. Replicating the original bracing for so large a roof (it rises 38 metres above the floor) would have been cost-prohibitive, so over 600 metric tons of steel bracing were used instead. The roof is so steep that it is sufficiently cleaned by the rain alone and is seldom covered by snow.
St. Stephen's Cathedral currently has a total of 22 bells in four separate belfries.
Mounted 20 metres (66 ft) above the street level in the north tower, the bourdon bell of the cathedral is officially named Marienglocke, after St. Mary, but it is locally referred to as Pummerin (literally, "Boomer") for its immersive tonal quality. It weighs in at 20,130 kilograms (44,380 lb) and has a diameter of 3.14 metres (10.3 ft) at its mouth, making it the largest bell in Austria, as well as the third largest swinging bell in Europe. It was cast in 1951 after World War II at St. Florian, Upper Austria, and delivered to the cathedral as a gift from the provincial government. Pummerin usually sounds on special occasions, including Easter, Pentecost, the Feast of Corpus Christi, Christmas Eve, Saint Stephen's Day, and New Year's Day.
Pummerin is in fact a replacement of an original bell, Josephinische Glocke, named after St. Joseph, colloquially known as "Old Pummerin". Created in 1705 under the auspices of founder Johann Achamer, the old bell hung in the south tower and was slightly larger than the current bell, weighing a few extra tons and having a lower pitch. It was composed partially of material from nearly 300 cannons seized during an unsuccessful Ottoman uprising on the city in the late 1600s. A unique feature for the bell was a pair of thick oak slats forming a cradle on which the bell sat on. When it was time to ring the bell, the cradle would be lowered via jackscrews, and eight men would pull the hefty clapper back and forth on ropes. This method of ringing was recommended by architect Friedrich von Schmidt, who was concerned that the tower's structure was too fragile to withstand the forces induced by swinging the bell itself, however, an ORF clip from the 1930s showed the bell swinging back and forth. The bell was resting on the cradle as the fire of 1945 overtook the belfry. The burning cradle ultimately gave out, and the bell crashed through multiple floors, and shattered once it hit the bottom. The shattered pieces were salvaged and mixed in with the metal that was used to cast today's Pummerin that was put into service in 1957.
In addition to Pummerin, the north tower temporarily housed three historic bells:
Text from the Wikipedia article “St. Stephen's Cathedral, Vienna”, available under CC BY-SA 4.0.