Construction
cathedral located in Côtes-d'Armor, in France
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Saint-Brieuc Cathedral (French: Basilique-Cathédrale Saint-Étienne de Saint-Brieuc; Breton: Bazilikenn-Iliz-veur Sant-Etien, Sant-Brieg) is a Roman Catholic church located in the town of Saint-Brieuc, Brittany, France, and dedicated to Saint Stephen.
The cathedral is the seat of the Bishop of Saint-Brieuc and Tréguier. It was declared a minor basilica on 3 September 1875. It is a listed monument historique since 1906.
The Cathėdrale St-Étienne on the Place du Gėnėral de Gaulle in Saint-Brieuc served as a church-fortress ("cathédrale-forteresse"). The central porch is flanked by two sturdy towers: the 14th-century Tour Brieuc. which is 92 feet high and the 15th-century Tour Marie, which is 108 feet in height. These towers have loop-holes and machicolations which would have allowed the use of a variety of defensive weapons and are supported by stout buttresses. The two arms of the transept jut far out and are protected by towers with pepper-pot roofs. Although stripped of many of its treasures by the zealots of the French Revolution, it still holds many artifacts and works of art. The Chapelle de l'Annonciation has, for example, a baroque altarpiece and the organ was built by Cavaillé-Coll, famous for having built the organ in the Church of Saint-Sulpice in Paris. The south arm of the transept is lit by 15th-century stained-glass windows and the tomb of Saint-Guillaume is amongst the many tombs and enfeu scattered throughout the building. The cathedral has an 18th-century pulpit and Stations of the Cross carved in 1958 by Georges Saupique.
Brieuc was born in the 5th or 6th-century in Wales and at an early age was entrusted to the care of Saint Germain. He stayed in Germain's monastery until he reached the age of twenty-four when he was made a priest. He decided to travel to the Armorican peninsula and set off with a group of monks, his mission to convert the local people to Christianity. He founded a monastery at what is now Tréguier but when called back to Wales because of a terrible plague there, he left his nephew Tugdual in charge. When he returned he found Tugdual totally in control and set off along the Léguer estuary, landed where Saint-Brieuc stands today and founded a monastery after firstly setting up a modest oratory. Later he had the first cathedral built and took the role of bishop for himself.
The first church or oratory on this site was built in wood in the 6th century, and a replacement building was erected in around 970. Nothing remains today of these two constructions. The 10th century saw many attacks on Saint-Brieuc by the Normans, so much so that the relics of Saint-Brieuc which had been kept here were moved to the Saint-Serge Abbey in Angers for protection.
The building we see today was commenced in around 1180 during the episcopacy of Bishop Geffroy de Hénon and building was well advanced when in 1212 Bishop Pierre was buried at the base of the Tour Brieuc. Pierre had brought the Saint-Brieuc relics back to the town from Angers in October 1210.
Work on the building's west façade continued under the bishopric of Monseigneur Guillaume Pinchon from his arrival in 1220 to his exile to Poitiers in 1228 following Pinchon's conflict with Pierre Mauclerc. When he returned in 1231, he had a chapel built on the south side of the building, this dedicated to Saint Mathurin. His wish was to be buried in the chapel and this happened in 1234. The construction work was finished by Pinchon's successor Philippe before his departure to the Holy Land in 1248. It was Bishop Philippe who moved to have Pinchon canonised on 12 April 1247.
Over one hundred years later the cathedral suffered much damage at the hands of the English during the destructive War of the Breton Succession and then by a fire at the end of 1353. After the fire, Bishop Guy de Montfort made the reconstruction a priority and started work on the choir which was completed between 1354 and 1357. Under de Montfort's successor, Hugues de Montrelais, whose bishopric ran from 1357 to 1375, the new cathedral was finished, but in 1394 the town was under siege again, this time by Olivier de Clisson and again was badly damaged. Now Bishop Guillaume Angier took charge of the reconstruction necessary and apart from the reconstruction of the choir, he finalised the long-awaited construction of the Tour Marie. Then Bishop Jean de Malestroit reconstructed the gable of the north wing of the transept and had a window installed there, destroyed by the storm of 1735. By the beginning of the 15th century, the cathedral was finished and between 1460 and 1472, Bishop John Prigent began the construction of the chapel of the Annunciation. Finally, the nineteenth and twentieth centuries saw much restoration and important works including the repair of the vaulting and work on the window framing. The cathedral had to be rebuilt on many occasions this as a consequence of military attacks or natural disasters.
The remains of many canons of the cathedral are buried under the paving of the south aisle of the nave and an enfeu holds the tomb of Monseigneur Le Porc de la Porte who died in 1632 and was bishop at Saint-Brieuc from 1618 to 1632. The gisant on the tomb dates to the 17th century. This tomb came to the cathedral in 1833 when the Ursulines chapel had been destroyed. Le Porc de la Porte had founded that chapel. The nave has seven crossings with aisles and to the right of the fourth crossing is the Chapelle des Fonts Baptismaux which has a 16th-century granite font decorated by Alain de Léon. The chapel contains an oil painting depicting John the Baptist at work. To the right of the last three crossings is the Chapelle de l'Annonciation whilst along the north side of the nave is the Porche du Martray and the Sacristy. The transept has two symmetrical wings and the main altar stands on a platform in the centre. The north wing of the transept had fenestration dating to the early 15th century, but this was destroyed in a huge storm in 1735. The windows were replaced in 1852 and restored in the 20th century. The Choir is surrounded by a circular ambulatory from which emerge various side chapels
Inside the west porch, six steps lead down to the floor of the nave and a view of the altar erected at the crossing of the transept. The west porch was first built in the 15th century at the time the south tower was erected and was completely rebuilt in 1888. The west porch gable dates to the 13th century but was reworked in the 14th century and a rose window was added in the 16th century. Two doors give access to the cathedral, and the trumeau is decorated with a standing Virgin Mary which came from the Chapelle Saint-Colomban in Peumerit-Quintin. The North porch is known as the "du Matray" and was reconstructed in 1856. The tympanum is decorated with "Une Vierge à l'oiseau" in polychromed wood. The Sacristy was added between the arm of the transept and the north aisle of the nave in the 15th century.The north gable of the transept has a large window destroyed during the French Revolution and completely replaced in 1852. It is topped by a clock tower dating to 1836 which replaced an earlier tower dated 1618. The cathedral has two towers. The Tour du Nordic or the Tour Brieuc is 28 metres high and holds two bells. The Tour du Midi is higher at 33 metres and holds three bells. The latter tower was built in the 15th-century partly as a consequence of the sieges of 1375 and 1394 and its spire was added in 1852. The gable of the north transept built with much red granite quarried in the local area has a modern window, the old window having been destroyed in the French revolution. The gable is topped by an 18th-century clock, and for many years this was the only clock in the town. The chevet has a small door called the "Porte de la Vierge". Above the door is a small window to a room which served as the chapter prison. The gable of the south transept has an ornate 15th-century window in the "flamboyant" style an addition which owed much to the generosity of Olivier de Clisson.
The master altar is located in the centre of the transept and the choir area is surrounded by an ambulatory with 12th-century stylobates and columns which give access to various side chapels. On the "gospel" side or north side of the choir, the first side chapel is the Chapelle Saint-Giles. This chapel dates back to the 14th century, was reconstructed in the 16th century and was founded by Blanche d'Avaugour, the Lady of Kergroix. It contains a stairway giving access to the upper floors. On the exterior wall is a tomb thought to be the burial place of Bishop Guillaume VI Anger who died in 1404. His episcopacy commenced in 1385. The second is the Chapelle des Morts de la Guerre and then what was the Chapelle de Montfort which is no longer in use. Third is the chevet and the apsidal chapel called La Chapelle Notre-Dame de la Cherche, also called the Chapelle de la Vierge. It was constructed in 1343 by Roland de Dinan and Clémence d'Avaugour replacing an 11th-century chapel. On the left-hand side of the chapel entrance, there is an alabaster statue of the Virgin Mary with child. The child holds a bird in his right hand. On the right-hand side of the entrance is another statue of the Virgin Mary in gilded wood. It dates to the 18th century. The windows in the chapel are of 19th-century vintage save for the central window, which is by the stained glass artist Hubert de Sainte-Marie. The chapel has two tombs set within its walls. On the north wall is the tomb of Guillaume Beschard, who was the bishop from 1379 to 1385, and on the south wall the tomb of Guy Eder, the bishop from 1428 to 1431. Facing the apsidal chapel is the tomb of Canon François de Boisgelin which dates to 1633.
On the south side of the ambulatory is the Chapelle Sainte-Anne, which was established by Christophe de Penmarc'h between 1471 and 1505. De Penmarc'h arms can be seen in the keystone of the chapel's vaulting. The chapel contains a marble statue of Monseigneur Augustin David. David was the bishop at Saint-Brieuc for 20 years. He had a great interest in the arts and founded the local Societé d'émulation d'archéologie et d'histoire in 1861. His tomb was carved from white marble by Henri Chapu in 1891.
The altar is made from wood and has a work by Elie Le Goff entitled "Saint-Brieuc et le miracle des loups" which dates to 1891. The chapel was built by Bishop Christophe de Penmarc'h. In the chapel, there are also traces of the tomb of Alain de Penmarc'h who was Christophe's nephew and a canon at Saint-Brieuc and the tombstone of canon Rolland de la Fruglaye who died on 1 September 1454.
The next chapel is the Chapelle Saint Yves which dates to the 15th century and was commissioned by Christophe de Penmarc'h and his brother Louis. De Penmarc'h's coat of arms can be seen in the vaulting keystone. The chapel contains the 19th-century tombstone of Monseigneur Bouché and a 19th-century black bronze figure of Christ by Just André François Becquet, the French sculptor born in Besançon in 1829 and who died in Paris in 1907. There is also a statue of Saint-Yves dating to 1892 by the sculptor Jean-Marie Valentin.
The Chapelle des Reliques is the final chapel off the south side of the choir and can be traced back to the 13th century. It is accessed through a door in the Chapelle Saint Yves. Originally a courtyard, it was roofed over in the 14th century and was known as the "Petite Trésorerie". In 1897 Monseigneur Fallières transformed it into a chapel to hold relics. The ornate reliquaries held within date to the 19th century and are said to contain a piece of the actual cross ("la Vraie Croix") and a thorn from the crown of thorns. The reliquaries also contain the skull of Saint Guillaume and a relic of Saint Brieuc. The chapel is secured by an ornate iron gate.
Text from the Wikipedia article “Saint-Brieuc Cathedral”, available under CC BY-SA 4.0.