The iron pillar of Delhi is a metal structure 7.21 metres (23 feet 8 inches) high with a 41-centimetre (16 in) diameter that was constructed by Chandragupta II (reigned c. 375–415 CE), and now stands in the Qutb complex at Mehrauli in Delhi, India.
The metals used in its construction have a rust-resistant composition. The pillar weighs more than six tonnes and is thought to have been erected elsewhere, possibly outside the Udayagiri Caves, and moved to its present location by Anangpal Tomar in the 11th century.
Physical description
The height of the pillar, from the top to the bottom of its base, is 7.21 m (23 ft 8 in), 1.12 m (3 ft 8 in) of which is below ground. Its bell pattern capital is 306 mm (12 in). It is estimated to weigh more than six tonnes (13,000 lb).
The pillar has attracted the attention of archaeologists and materials scientists because of its high resistance to corrosion and has been called a "testimony to the high level of skill achieved by the ancient Indian iron smiths in the extraction and processing of iron". The corrosion resistance results from an even layer of crystalline iron(III) hydrogen phosphate hydrate forming on the high-phosphorus-content iron, which serves to protect it from the effects of the Delhi climate.
Inscriptions
The pillar carries a number of inscriptions of different dates.
Inscription of King Chandra or Chandragupta II
The oldest inscription on the pillar is that of a king named Chandra (IAST: Candra), generally identified as the Gupta emperor Chandragupta II.
Inscription
The inscription covers an area of 2′9.5″× 10.5″(65.09 cm x 26.67 cm). The ancient writing is preserved well because of the corrosion-resistant iron on which it is engraved. However, during the engraving process, iron appears to have closed up over some of the strokes, making some of the letters imperfect.
It contains verses composed in Sanskrit language, in shardulvikridita metre. It is written in the eastern variety of the Gupta script. The letters vary from 0.3″ to 0.5″ in size, and resemble closely to the letters on the Allahabad Pillar inscription of Samudragupta. However, it had distinctive mātrās (diacritics), similar to the ones in the Bilsad inscription of Kumaragupta I. While the edges of the characters on the Allahabad inscription are more curved, the ones on the Delhi inscription have more straight edges. This can be attributed to the fact that the Prayagraj inscription was inscribed on softer sandstone, while the Delhi inscription is engraved on the harder material (iron).
The text has some unusual deviations from the standard Sanskrit spelling, such as:
- pranśu instead of praṃśu: the use of dental nasal instead of anusvāra
- mūrtyā instead of mūrttyā: omission of the second t
- kīrtyā instead of kīrttyā: omission of the second t
- śattru instead of śatru (enemy): an extra t
Studies
In 1831, the East India Company officer William Elliott made a facsimile of the inscription. Based on this facsimile, in 1834, James Prinsep published a lithograph in the Journal of the Royal Asiatic Society of Great Britain and Ireland. However, this lithograph did not represent every word of the inscription correctly. Some years later, British engineer T. S. Burt made an ink impression of the inscription. Based on this, in 1838, Prinsep published an improved lithograph in the same journal, with his reading of the script and translation of the text.
Decades later, Bhagwan Lal Indraji made another copy of the inscription on a cloth. Based on this copy, Bhau Daji Lad published a revised text and translation in 1875, in Journal of the Bombay Branch of the Royal Asiatic Society. This reading was the first one to correctly mention the king's name as Chandra. In 1888, John Faithfull Fleet published a critical edition of the text in Corpus Inscriptionum Indicarum.
In 1945, Govardhan Rai Sharma dated the inscription to the first half of the 5th century CE, on paleographic grounds. He observed that its script was similar to the writing on other Gupta-Era inscriptions, including the ones discovered at Bilsad (415 CE), Baigram (449 CE), and Kahanum (449 CE). R. Balasubramaniam (2005) noted that the characters of the Delhi inscription closely resembled the dated inscriptions of Chandragupta II, found at Udayagiri in Madhya Pradesh.
Issuance
The inscription is undated, and contains a eulogy of a king named Candra, whose dynasty it does not mention. The identity of this king, and thus the date of the pillar, has been the subject of much debate. The various viewpoints about the identity of the issuer were assembled and analyzed in a volume edited by M. C. Joshi and published in 1989.
The king is now generally identified with the Gupta King Chandragupta II. This identification is based on several points:
- The script and the poetic style of the inscription, which point to a date in the late fourth or early fifth century CE: the Gupta period.
- The inscription describes the king as a devotee of the God Vishnu, and records the erection of a dhvaja ("standard", or pillar) of Vishnu, on a hill called Viṣṇupada ("hill of the footprint of Viṣṇu"). Other Gupta inscriptions also describe Chandragupta II as a Bhagavata (devotee of Vishnu). The names of the places mentioned in the inscription are also characteristic of the Gupta Era. For example, Dakṣiṇa Jalanidhi (the Indian Ocean) and Vaṅga (the Bengal region).
- The short name 'Candra' is inscribed on the archer-type gold coins of Chandragupta II, while his full name and titles appear in a separate, circular legend on the coin.
- A royal seal of Chandragupta's wife Dhruvadevi contains the phrase Śrī Viṣṇupada-svāmī Nārāyaṇa ("Nārāyaṇa, the lord of the illustrious Viṣṇupada").
As the inscription is a eulogy and states that the king has abandoned the earth, there has been some discussion as to whether it is posthumous, i.e. whether King Chandra was dead when the record was created. Dasharatha Sharma (1938) argued that it was non-posthumous. According to B. Chhabra and G. S. Gai, the inscription states that the king's mind is "fixed upon Vishnu with devotion", and therefore, indicates that the king was alive at the time. They theorize that it may have been recorded when Chandragupta II abdicated his throne, and settled down as a vanaprastha (retiree) in Viṣṇupada.
Text
Following is the Roman script transliteration of the text:
Yasy odvarttayah-pratīpamurasā śattrun sametyāgatan Vańgeshvāhava varttinosbhilikhitā khadgena kīrttir bhuje
Tirtvā sapta mukhāni yena samare sindhor jjitā Vāhlikāyasyādya pyadhivāsyate jalanidhir vviryyānilair ddakshinah
Khinnasy eva visrijya gām narapater ggāmāśritasyaetrām mūr(t)yā karmma-jitāvanim gatavatah kīrt(t)yā sthitasyakshitau
Śāntasyeva mahāvane hutabhujo yasya pratāpo mahānnadhayā pyutsrijati pranāśista-ripor Yyatnasya śesahkshitim
Prāptena sva bhuj ārjitan cha suchiran ch aikādhirājayam kshitau chandrāhvena samagra chandra sadriśīm vaktra-śriyam bibhratā
Tenāyam pranidhāya bhūmipatinā bhāveva vishno (shnau) matim prānśurvisnupade girau bhagavato Vishnuordhidhvajah sthāpitah
J. F. Fleet's 1888 translation is as follows:
(Verse 1) He, on whose arm fame was inscribed by the sword, when, in battle in the Vanga countries (Bengal), he kneaded (and turned) back with (his) breast the enemies who, uniting together, came against (him); – he, by whom, having crossed in warfare the seven mouths of the (river) Sindhu, the Vahlikas were conquered; – he, by the breezes of whose prowess the southern ocean is even still perfumed; –
(Verse 2) He, the remnant of the great zeal of whose energy, which utterly destroyed (his) enemies, like (the remnant of the great glowing heat) of a burned-out fire in a great forest, even now leaves not the earth; though he, the king, as if wearied, has quit this earth, and has gone to the other world, moving in (bodily) form to the land (of paradise) won by (the merit of his) actions, (but) remaining on (this) earth by (the memory of his) fame; –
(Verse 3) By him, the king, attained sole supreme sovereignty in the world, acquired by his own arm and (enjoyed) for a very long time; (and) who, having the name of Chandra, carried a beauty of countenance like (the beauty of) the full-moon,-having in faith fixed his mind upon (the god) Vishnu, this lofty standard of the divine Vishnu was set up on the hill (called) Vishnupada.
Due to the tablets installed on the building in 1903 by Pandit Banke Rai, the reading provided by him enjoys wide currency. However, Bankelal's reading and interpretation have been challenged by more recent scholarship. The inscription has been revisited by Michael Willis in his book Archaeology of Hindu Ritual, his special concern being the nature of the king's spiritual identity after death. His reading and translation of verse 2 is as follows:
[khi]nnasyeva visṛjya gāṃ narapater ggām āśritasyetarāṃ mūrtyā karrmajitāvaniṃ gatavataḥ kīrtyā sthitasya kṣitau [*|]
śāntasyeva mahāvane hutabhujo yasya pratāpo mahān nādyāpy utsṛjati praṇāśitaripor yyatnasya śeṣaḥ kṣitim [||*]
The Sanskrit portion given above can be translated as follows:
The residue of the king's effort – a burning splendour which utterly destroyed his enemies – leaves not the earth even now, just like (the residual heat of) a burned-out conflagration in a great forest.
He, as if wearied, has abandoned this world, and resorted in actual form to the other world – a place won by the merit of his deeds – (and although) he has departed, he remains on earth through (the memory of his) fame (kīrti).
Willis concludes:
Candragupta may have passed away but the legacy of his achievement is so great that he seems to remain on earth by virtue of his fame. Emphasis is placed on Candragupta's conquest of enemies and the merit of his deeds, ideas which are also found in coin legends: kṣitim avajitya sucaritair divaṃ jayati vikramādityaḥ, i.e. "Having conquered the earth with good conduct, Vikramāditya conquered heaven". The king's conquest of heaven combined with the description of him resorting to the other world in bodily form (gām āśritasyetarāṃ mūrtyā), confirms our understanding of the worthy dead as autonomous theomorphic entities.
Samvat 1109 inscription
One short inscription on the pillar is associated with the Tomara king Anangpal, although it is hard to decipher. Alexander Cunningham (1862–63) read the inscription as follows:
Samvat Dihali 1109 Ang Pāl bahiTranslation:In Samvat 1109 [1052 CE], Ang [Anang] Pāl peopled Dilli
Based on this reading, Cunningham theorized that Anangpal had moved the pillar to its current location while establishing the city of Delhi. However, his reading has been contested by the later scholars. Buddha Rashmi Mani (1997) read it as follows:
Samvat Kinllī 1109 Aṅgapāla bādiTranslation: Anangpal tightened the nail [iron pillar] in Samvat 1109
History of the Iron Pillar
The pillar was installed as a trophy in building the Quwwat-ul-Islam mosque and the Qutb complex by Sultan Iltutmish in the 13th century. Its original location, whether on the site itself or from elsewhere, is debated.
According to the inscription of king Chandra, the pillar was erected at Vishnupadagiri (Vishnupada). J. F. Fleet (1898) identified this place with Mathura, because of its proximity to Delhi (the find spot of the inscription) and the city's reputation as a Vaishnavite pilgrimage centre. However, archaeological evidence indicates that during the Gupta period, Mathura was a major centre of Buddhism, although Vaishnavism may have existed there. Moreover, Mathura lies in plains, and only contains some small hillocks and mounds: there is no true giri (hill) in Mathura.
Based on paleographic similarity to the dated inscriptions from Udayagiri, the Gupta-era iconography, analysis of metallurgy and other evidence, Meera Dass and R. Balasubramaniam (2004) theorized that the iron pillar was originally erected at Udayagiri. According to them, the pillar, with a wheel or discus at the top, was originally located at the Udayagiri Caves. This conclusion was partly based on the fact that the inscription mentions Vishnupada-giri (IAST: Viṣṇupadagiri, meaning "hill with footprint of Viṣṇu"). This conclusion was endorsed and elaborated by Michael D. Willis in his The Archaeology of Hindu Ritual, published in 2009.