Hildesheim Cathedral (German: Hildesheimer Dom), officially the Cathedral of the Assumption of Mary (German: Hohe Domkirche St. Mariä Himmelfahrt) or simply St. Mary's Cathedral (German: Mariendom), is a medieval Roman Catholic cathedral in the city centre of Hildesheim in Lower Saxony, Germany, that serves as the seat of the Diocese of Hildesheim. The cathedral has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church because of its unique art and outstanding Romanesque architecture.
The cathedral church was built between 1010 and 1020 in the Romanesque style. It follows a symmetrical plan with two apses, that is characteristic of Ottonian Romanesque architecture in Old Saxony. The cathedral's treasures include world-famous artworks, bronze works from the time of Bishop Bernward, Bernward Doors and Bernward Column, as well as two of the four notable Romanesque wheel chandeliers: the Hezilo chandelier and the Azelin chandelier.
After renovations and extensions in the 11th, 12th and 14th centuries, the cathedral was completely destroyed during an air raid on 22 March 1945 and rebuilt from 1950 to 1960. A thorough renovation of the cathedral began in 2010, including technical and conservation measures. Some of the cathedral's treasures have been shown further afield, including at an exhibition at New York's Metropolitan Museum of Art. The cathedral was reopened on 15 August 2014.
History
Construction
After the establishment of the Diocese of Hildesheim in 815 by Louis the Pious, a Chapel of St. Mary was built on the locations of the modern apse. Bishop Gunthar of Hildesheim, who was in office from 815 to 834, had a small basilica with two round towers built immediately to the south of the chapel, which he dedicated to Saint Cecilia. This served as the original cathedral and Stift church. The first four bishops were buried there. Only traces of the foundations of these two buildings remain. An older Hildesheim parish church probably once stood on the site of the Chapel of Saint Stephen next to the gatehouse at the eastern entrance to the chapel of St. Hellweg, which might date back to Hildegrim of Châlons and his expedition to East Saxony.
The cathedral was built in 872 under Bishop Altfrid as a cruciform three-aisled basilica with a two-story westwork. It is an example of Ottonian architecture, with alternating column support and semi circular apses completing the naves. The building suffered severe fire damage in 1046. Bishop Azelin planned to erect a new, larger building further to the west and to extend the nave. His successor, Hezilo of Hildesheim, abandoned this plan and instead built on the old foundations, incorporating the surviving walls into the new building. Further important renovations occurred up to the end of the fourteenth century but did not deviate from the ground plan of Bishop Altfrid's basilica. The northern paradise and the north and south side chapels date from the gothic period and the tower above the crossing from the baroque period. In the nineteenth century, the original westwork was replaced by a Neo-Romanesque two-tower facade, which stood until 1945.
School and library
Hildesheim Cathedral School (Hildesheimer Domschule), which had rooms in the cloisters, was one of the most significant educational institutions of the Ottonian and Salian periods. Its library has served as the cathedral's library (German: Dombibliothek Hildesheim) since 815; it is the oldest library in Northern Germany.
Destruction in the Second World War
During the aerial bombardment of Hildesheim by the RAF and RCAF in World War II, the main building was almost entirely destroyed; only the westwork and the outer walls survived. Of the ancillary buildings, only the Gothic Anne's chapel (Annenkapelle), erected in 1321 in the middle of the cathedral's courtyard, was mostly undamaged. It was the only cathedral in Germany that had to be newly consecrated after its reconstruction, on 27 March 1960 by Bishop Heinrich Maria Janssen.
The building was rebuilt between 1950 and 1960 in a simplified form. The baroque elements were abandoned in favour of a form which took its cue from the early Romanesque style. The most visible aspect of this on the exterior was that upper stories, and side towers added to the westwork in 1840, were not restored. The westwork was reconstructed closer to its earlier state based on the model of the westwork of Minden Cathedral, which had also been severely damaged by wartime bombing. In addition, the gatehouse in front of the westwork was reduced by about half. Otherwise, the exterior appeared as it had done before the destruction – in particular, the baroque crossing-tower was rebuilt.
The reconstruction was carried out under tight constraints. Because of the lack of sandstone tiles, the floor was relaid in marble. The roofs of the nave, transept, and cloisters were cast in concrete and covered with wooden boards on the inside to recall the appearance of ceiling beams. The interior walls, as well as the walls of the nave, were rebuilt in brick and limestone, hidden from view by a dimension stone coating on the outside and by a coat of smooth plaster on the inside. The ground level was raised by 60 cm, which resulted in the rooms having a squat appearance, especially in the transepts. The columns of the nave were cast in concrete, and the pilasters were coated in sandstone.
The reconsecration took until 1960 to complete because of various problems, chiefly the "Hildesheim Cathedral construction dispute" (Hildesheimer Dombaustreit), an argument between the Diocese of Hildesheim and the Land of Lower Saxony about the cost of the reconstruction and particularly about whether Lower Saxony was one of the legal successors of the Free State of Prussia which had undertaken to cover the cathedral's building expenses in 1803 (when it was still the Kingdom of Prussia) during the process of German mediatization. The parties reached a settlement in 1957.
Renovations 2010–2014
After many years of planning, a thorough renovation of the cathedral began in January 2010, the first since 1960. Along with technical and conservation measures, there were alterations to the design. The floor was lowered to the original level, the Hezilo and Azelin chandeliers were restored to their places in the nave and the high choir, and Bernward Doors were again mounted facing outwards, behind an antechamber, as originally intended. In addition, a bishop's crypt was created.
On 10 January 2010, the cathedral was closed for the work to begin. During the reconstruction, the basilica of St. Godehard served as the bishop's church (cathedra), as it had in the postwar years. The cathedral renovation was the largest church construction project in Germany. The solemn reopening of the cathedral was on 15 August 2014, coinciding with the beginning of the Diocese's 1200 year jubilee.
Thousand-year Rose
The cathedral building is widely known for the "Thousand-year Rose" (Tausendjähriger Rosenstock) which grows outside the building on the outer wall of the apse in the courtyard of the cloisters. The exact age of the rose is no longer precisely known, but the legend of the rose bush claims that it dates to 815. It is an important symbol of Hildesheim – according to folklore, as long as the bush flourishes, Hildesheim will prosper.
According to the story, Emperor Louis the Pious had to hold a Mass while out hunting in the middle of the forest. For this purpose, a reliquary of St. Mary which he had with him was hung from the branch of a wild rose. After the mass, the reliquary could not be removed from the branch. The Emperor considered this a sign that the new bishopric should be established here (not in Elze as he had planned) and he should dedicate it to St. Mary, whose symbol is the rose.
The existence of the rose bush has been attested for at least four hundred years. The aerial bombardment of 22 March 1945 which damaged the cathedral and the apse also killed the main growth of the rose bush above the ground; under the rubble, only the charred stump of the rose remained. It was thought that the end of the famous rose had come, but the roots were largely intact, and in the spring of 1945 it put out 25 new shoots. The first sparse flowers bloomed in 1947, and by 1948 there were 122 flowers. Since then, the new branches of the "Thousand-year Rose" (as it was already known before the bombing) have been marked with little metal signs with the year in which they first appeared. It is believed to be the oldest living rose in the world.
Archaeological finds
In excavations during the 2010–2014 renovations of the cathedral, ninth-century foundations of the St. Mary's chapel were found. The first cathedral building was a small church measuring 6 × 6 m with an apse to the east. The remains of the first altar were found in the apse. The foundations of this first cathedral building consist of sandstone and are extraordinarily thick.
An even older cemetery was found to the west and south. Twenty graves were uncovered, including, in August 2012, the skeleton of a young woman who died around 800, with glass beads (the remnants of a necklace) and a little knife as grave goods. This is the oldest complete burial ever found in Hildesheim cathedral.
Interior decoration, art, and treasures
The cathedral houses numerous works of art. These include the world-famous cast-bronze doors, depicting scenes from the Gospels and the Book of Genesis; and a cast-bronze column depicting scenes from the life of Christ. These bronzeworks date from the early 11th century and were commissioned by Bishop Bernward of Hildesheim. (The column was originally in St Michael's, where Bernward was buried, and was moved there again during the restoration of the cathedral, returning in August 2014.)
There are also four notable Romanesque wheel chandeliers, also called corona or circular chandeliers, the larger Hezilo chandelier (Heziloleuchter), and the older Azelin chandelier (Azelinleuchter). The Ringelheim Crucifix was made c. 1000 from linden wood for the body and oak for the arms.
Other treasures include:
- The shrine of St. Epiphanius of Pavia and Cathedral patrons over a chapel in the northeast, first half of the twelfth century
- The shrine of St. Godehard in the crypt, around 1140
- The Reliquary of Mary, the Crosses of Bernward and further magnificent reliquaries and liturgical implements displayed in Hildesheim Cathedral Museum (Dommuseum Hildesheim) in the south transept
- The eagle lectern, c. 1220, in liturgical use up until the recent renovations
- The late Romanesque bronze baptismal font (Bronzetaufe), 1225
- The gothic Inkpot Madonna (Tintenfassmadonna)
- The central table of the Wrisberg epitaph (in the south transept until the recent renovations))
- An apse cross standing in the apse, the pedestal of which, legend has it, was made from the core of the Irminsul.
- the Tomb of Priest Bruno (de) on the southern exterior wall of the choir
- The Bernward Monument (de) of Carl Ferdinand Hartzer from 1893 stands in front of the north paradise entrance
- Hildesheim rood screen (Hildesheimer Domlettner, de) in the Cathedral Museum
During the 2010–2014 renovations, many religious items from the cathedral were displayed at the Metropolitan Museum of Art in New York City, until 5 January 2014.
Organs
The history of the organ at Hildesheim Cathedral dates back to the fourteenth century. In 1378, there was an organ in the north aisle, above the chapel of the Three Kings. This instrument was relocated to the Godehard choir during the fifteenth century and eventually sold in 1713.
The first large organ was built by Conrad Abtt (Minden) c. 1616/17. The instrument had 31 stops on two manuals and pedal. During the 17th and 18th century, the instrument was rebuilt and expanded. In 1909, Furtwängler & Hammer (Hannover) built a new organ with 54 stops (three manuals and pedal), re-using the organ case from 1617. On March 22, 1945, the organ was destroyed during an air raid.
Organ 1960–2010
In 1960, Franz Breil (Dorsten) built a new organ with 52 stops on four manuals and pedal. In 1989, it was partially rebuilt and expanded to 66 stops by Klais (Bonn).
Seifert Organs (2014)
In 2014, Orgelbau Romanus Seifert & Sohn (Kevelaer) built a new organ with 77 stops on four manuals and pedal, re-using windchests and 56 stops from the previous instrument.
In addition, a new antiphonal organ (Chororgel) with 16 stops was built. It is located in the left isle of the cathedral. Both organs can be played from two identical four-manual consoles: the console of the great organ, and a movable console in the nave.
Bells
Until the Second World War, the cathedral contained over sixteen ringing and quarter bells. The basis of the pre-war peal was five great bells with the tones F-sharp0, A0, C-sharp1, F-sharp1, G-sharp1. Nine bells of the pre-war peal survived the war; the great Godehard bell in the west tower was so severely damaged in an air raid that it could no longer be rung. The Bernard bell is in the Bell cemetery in Hamburg and was irreparably damaged during transport there. Two bells were capable of being reused: the historical Apostolica bell of bellfounder Johann Martin Roth of Mainz (1765), which could be integrated into the new peal, and another historic bell of Johann Martin Roth, the Nikolaus bell, which was originally hung in the crossing tower and was moved to the Nordparadies in 2010.